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Recent Projects
A Bag of Hammers (2011) Amanda as Amanda
Directed by Brian Crano
Status: Awaiting Release
More: Info |
Photos | Official
In Time (2011) Amanda as Sylvia Weis
Directed by Andrew Niccol
Status: Released
More: Info | Photos |
Official
The End of Love (2012) Amanda as n/a
Directed by Mark Webber
Status: Post-Production
More: Info | Photos |
Official
Gone (2012) Amanda as Jill
Directed by Heitor Dhalia
Status: Post-Production
More: Info | Photos |
Official
The Wedding (2012) Amanda as Missy O'Connor
Directed by Justin Zackham
Status: Post-Production
More: Info | Photos |
Official
Lovelace (2012) Amanda as Linda Lovelace
Directed by Rob Epstein, Jeffrey Friedman
Status: Filming
More: Info | Photos |
Official
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Online Since: June 30, 2008 Owner: Mikaela, Chelsa, Luciana, Anula and Fram Contact:By
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As Chelsa told you guys Amanda is on the cover of the March iussie of Interview magazine and she looks absolutley amazing. I have added a bigger cover photo to the gallery and guess what I found, seven high quality photoshoot outtakes from the cover shoot. I just love this shoot, it’s so incredible and Amanda is beautiful.
I have also added a behind the scene video to our video archive and captures have been added to the gallery. You can read a part of the magazine interview too under the cut, enjoy!
Gallery Links:
Photoshoots > Photoshoots from 2011 > Interview
Photoshoots > Behind the Scenes > Interview (2011)
While the older generations might have their Audreys and their Marilyns, these days, the true litmus test of an actress’s broader youth-culture currency is not whether she’s commonly referred to by her first name only—it’s whether she has been deemed worthy of a moniker that’s an amalgam of her first and last names, like ScarJo and K-Stew and LiLo (not to mention K-Stew’s boyfriend, R-Patz). But collapsing one’s name isn’t a badge of approval so much as a mark of obsession. It doesn’t mean that you’re better at what you do than anyone else. It doesn’t mean that you’re unconditionally beloved. Rather, it signifies that you’ve become an object of fixation, which is usually preceded by some sort of professional watershed, or an association with an overwhelming cultural phenomenon, or because you’re frequently photographed looking shiny and heavy-lidded while straddling a banquet at Trousdale in a short skirt and stilettos, an unlit cigarette wedged backwards into the corner of your mouth.
Fans have been clamoring for information about the Catherine Hardwicke-helmed, Amanda Seyfried-starring “Red Riding Hood.” And when the film hits theaters next year, Seyfried promises it will be nothing like the story they heard as children. This tale is a lot, lot darker.
” ‘Red Riding Hood’ is a classic fairy tale that we all know, and what fans can expect from this version of the story is that it’s basically just a jumping-off point. Catherine Hardwicke has just completely turned this story into something edgy and gothic and dark, and she’s clearly somebody that’s very capable of turning something, everything into an extraordinary world, as we’ve seen before,” Seyfried said about the film in an interview with “The Seven,” which premiered a trailer for the flick Tuesday (November 16).
“And also there’s a romance aspect to the film, which isn’t in the fairy tale … a lot of romance and a lot of danger,” she continued. “There’s a wolf at the center of the story, and it’s exciting ’cause it’s a whodunit.”
Sure, the fairy tale that the flick is based on is plenty scary, but Seyfried reveals that whatever frightening elements were there to begin with have gotten much more frightening under Hardwicke’s supervision, and thanks to a cast that includes Gary Oldman and Julie Christie.
“Fans will be surprised by the tone of the film,” she explained. “Catherine just completely throws it into this dark world, and it’s a little scarier than it was meant to be when it was written. We had this freedom to go far with it, so whatever preconceptions the audience has, they should throw it out the door.”
Amanda is on another cover, the June/July issue of Teen Vogue and she looks absolutley amazing in the fantastic shoot. This is one of my absolute favorite shoots with her. I have added five outstandning outtakes from the shoot and some behind the scenes images to the gallery. The cover of the magazine have also been added to the gallery. Enjoy!
It’s 3 p.m. on a gorgeous sunny day in Los Angeles, and Amanda Seyfried is sitting at an outdoor café, wearing a light-blue long-sleeve button-down and shorts, her signature glamorously wavy blond hair peeking out from a mustard-yellow cable-knit cap that she made herself. In a bag on the table is a DIY dog-collar kit for Finn, her blue-eyed Australian shepherd who lies lazily at her feet. The actress isn’t hiding under huge sunglasses, sitting in a dark corner, or ignoring the passersby who stop to pet her adorable pup. (In fact, she’s chatting them up, making it difficult for anyone to get a word in edgewise.)
Amanda is on the cover of the June issue of Self magazine. We have added one gorgeous outtake from the shoot and the amazing cover to the gallery. You can also view the behind the scenes videos from the shoot under the cut. Hopefully more outtakes from this fabulous shoot will surface soon. Here you can read a bit of the interview from the magazine…
You hear about the pressure in Hollywood to be young and skinny. Do you feel that?
Hell yeah! From myself. When I see a scene in a movie where my belly sticks out, I’m like, that doesn’t look good, I’m not going to do that for the next movie. And then I never get there for the next movie; I still have a pudgy belly. The reality is, I look back and has my body every been that drastically different? No! So what are the chances of my having a six-pack for the next movie? Slim to non. So why live and breathe exercise when I know I’m just going to eat crap? Moderation is key. You can change your body to an extent, but if it’s taking all the time out of your day and taking up all your thoughts, what’s the point? The point is, it should be that important.
What’s the hardest diet you’ve ever tried?
A five-day raw food diet I’ll never do again. I go to this raw foods place everyday, and they do super-cleanses every month for 5 days. I was like, oh, I have to go on a press tour in six days, so I’ll try it! It’s really hard! I’d get really, really tired and hungry at three p.m. everyday because there was nothing to eat. Dinner would be cucumbers and kale and dressing. In the morning, you feel great, you’re doing a liver cleanse and eating raw oatmeal and blueberries and drinking great shakes. But at the end of the day, if you can’t have girl scout cookie and piece of cheese, what is life all about?
So do you just eat whatever you want now?
Yea, I want the raw stuff in the morning. I want the shot of chlorophyll or the ginger lemon drink or the asahi and hemp granola drink. But for lunch, I want a piece of pizza.
What do you do to work out?
Running a half hour four to five days a week keeps me alright–five days, because I feel guilty when I don’t. I also go to Harley Pasternak’s three times a week, and I love it. He’s fun and we do different things every time. It’s 45 minutes, and he kicks my ass! My legs are really strong, and I feel really great. And I go to my pilates teacher, Nikiko, on the weekends–she’s all about stretching and toning and being long and lean.
Amanda talked to MTV about Letters to Juliet and her co-stars.
In “Letters to Juliet,” opening May 14, Amanda Seyfried’s Sophie is torn between two guys: the multifaceted Brit hottie Charlie (Aussie newcomer Christopher Egan) and her fiancé, the equally hot but clueless chef Victor (Gael Garcia Bernal). Call it Sophie’s choice — she eventually does choose between the two.
Although Seyfried’s co-stars, Egan and Bernal, promise plenty of eye candy in “Juliet,” the beautiful Italian countryside in the city of Verona (home of Shakespeare’s Juliet), where the movie is partly set, is also eye-catching. As part of our Summer Movie Preview, MTV News spoke to Seyfried, who admitted she’s still smitten with the flick’s gorgeous backdrop.
MTV: For a movie that’s basing itself on “Romeo and Juliet,” it’s not too heavy-handed about playing up that aspect.
Amanda Seyfried: Yeah, if “Romeo & Juliet” didn’t exist, the movie wouldn’t exist, but otherwise it’s its own story. Absolutely.
Entertainment Weekly: Hollywood Insider talks to the director of Amanda’s newest project The Girl With the Red Riding Hood, Catherine Hardwicke, about the movie.
There is nothing director Catherine Hardwicke likes more than casting new talent. The woman responsible for propelling Kristen Stewart and Robert Pattinson’s careers into the stratosphere has now cast two unknowns in her upcoming project for Warner Bros., Red Riding Hood starring Amanda Seyfried. Shiloh Fernandez (pictured, top) will play Peter, the edgy bad boy from the wrong side of town who attracts Seyfried’s character, and Max Irons (pictured, bottom) will play Henry, the refined son of the wealthy blacksmithing family who is engaged to marry Seyfried. The final decision to cast the two teenagers competing for Seyfried’s affection came after Hardwicke held a two-day “smack-down” where she brought eight young actors to a Hollywood sound stage and had them compete for the part. “It was wild,” says the director, reminiscing about the 21 hours of tape she culled from the intense two-day try-out. “We had eight guys all competing with each other for two parts. They all read with Amanda and they also had to do fight scenes with each other. It was kinda good to get their aggression out.”
Here’s a new interview Amanda did for Irish Times in which she talks about fame, her successful career and much more.
All of a sudden, Amanda Seyfried is everywhere, and ahead of her next film, which involves working with Glenn Close adn John Banville, she discusses picking roles, long-distance relationships and writing songs with Damien Rice
FOR SOME LUCKY young Hollywood actors, there comes a moment when they become suddenly ubiquitous: out of nowhere, it seems, they’re constantly in the cinemas, on magazine covers, in gossip columns – everywhere they are supposed to be, essentially, and all at once. The speed with which this can happen is a mystifying part of the star-making process, so who better to ask about how it occurs than the suddenly ubiquitous 24-year-old actor Amanda Seyfried, who in short order has appeared in the steamy thriller Chloe , this week’s weepy Dear John , and another romance, Letters to Juliet , due later this summer, as well as the recent Vanity Fair Young Hollywood spread. Surely she can shed light on how a star is born?
“The only reason people say I’m having a moment is because all these movies are coming out at the same time,” she says, twirling a finger through her long blonde hair as she considers how she has reached this point. “But that wasn’t my doing at all. I did these movies separately, there were two and three months between all these films, but they’re all coming out in a short window. It’s dumb luck in the beginning, picking these parts, then it has to become calculated – you have to establish yourself a bit, and then you have to get quite strategic, which can be a pain in the ass, choosing between projects. It’s nice people are recognising me, though.”